Tag:

painting

Galleries & Museums International Langley Local Artists Visual Art
Fort Langley’s Kube Gallery is Anything But Square

by PatioKim March 11, 2022

March 11, 2022

By Jaclyn Hayward Venture down the charming Mavis Avenue in historic Fort Langley, and visit Kube Gallery for an afternoon of marvelling at the…

Read more
Langley Local Artists Visual Art
Join The West Fine Art Show in Langley

by PatioKim March 2, 2022

March 2, 2022

If you live outside of the Langley area, you might not know about the city’s blossoming art scene. From the mural tour that winds…

Read more
Galleries & Museums Vancouver's North Shore Visual Art
Léon Coupey: My Dearest Kate

by PatioKim February 24, 2022

February 24, 2022

If we’ve had the opportunity to know our grandparents, we know them just as that. They exist as our timelines, archetypes of family members,…

Read more
Galleries & Museums Guides Indigenous Art International Local Artists Visual Art Whistler
5 Places to see Art in Whistler

by PatioKim February 21, 2022

February 21, 2022

By Brittany Tiplady Add a little culture to your next Whistler getaway, in between your time on the slopes. The mountain destination has world-class…

Read more
Galleries & Museums Local Artists New Westminster Visual Art
Van Dop Gallery Melds Art and Living

by PatioKim February 16, 2022

February 16, 2022

By Tara Lee When you find yourself at the entrance of a converted heritage house, you might think you’ve come to the wrong place.…

Read more
Local Artists New Westminster Visual Art
“Looking at Local Nature” by Erik Hotz

by PatioKim February 15, 2022

February 15, 2022

By Jaclyn Hayward On weekdays we tend to stick close to home and go about our days within our neighbourhoods. Venturing out only to…

Read more
Galleries & Museums Local Artists Vancouver's North Shore Visual Art
Steven Shearer at Polygon Gallery

by PatioKim February 4, 2022

February 4, 2022

The Steven Shearer solo show currently on at Polygon Gallery on Vancouver’s North Shore is like a quaint trip through your parent’s photo album-…

Read more
Burnaby Galleries & Museums International Local Artists Visual Art
Asahi Vancouver: Baseball Pride & Posters of Glory

by PatioKim February 2, 2022

February 2, 2022

Written by Natasha Ponda. Passion, excitement, roaring fans, and unwavering loyalty – in summation, this is the agony and ecstasy of any sport. With…

Read more
Galleries & Museums Local Artists Visual Art Whistler
Starry Nights: Glow-in-the-Dark Creations by Dave Petko

by PatioKim January 24, 2022

January 24, 2022

By Jaclyn Hayward We local folks can close our eyes and imagine the palette of our neighbourhood landscapes: sky and ocean blues, earthy greens…

Read more
Galleries & Museums International Vancouver Visual Art
Sankofa at MOA: A Connection Between African Spirit and Diasporic Identity

by PatioKim January 6, 2022

January 6, 2022

Written by Natasha Ponda Sankofa: a word of West African origin, conveys the value of connecting your heritage to the present in order to…

Read more

january, 2025

20jan(jan 20)11:00 am19(jan 19)5:00 pmBill Reid Gallery of Northwest Coast Art presents GEORGE CLUTESI: ḥašaḥʔap / ʔaapḥii / ʕc̓ik / ḥaaʔaksuqƛ / ʔiiḥmisʔap11:00 am - 5:00 pm (19) PST 639 Hornby StreetEvent Type:Art EventAdmission Type:Ticketed

Event Details

Bill Reid Gallery of Northwest Coast Art presents the Vancouver premiere of the retrospective exhibition GEORGE CLUTESI: ḥašaḥʔap / ʔaapḥii / ʕc̓ik / ḥaaʔaksuqƛ / ʔiiḥmisʔap from January 20, 2024 – January 19, 2025. The exhibition is an exploration of the life and legacy of Clutesi, whose actions have left an indelible mark on the preservation and celebration of the Nuu-chah-nulth community’s cultural traditions and customs. Featuring an extensive collection of Clutesi’s artworks, the exhibition further honours his legacy through striking displays of archival photographs and news clippings of his varied achievements, a documentary film about his long-lasting impact, and a curated selection of artworks from contemporary Nuu-chah-nulth artists and scholars, inspired by Clutesi’s activism and scholarship. The name of the exhibition, written in the Tseshaht language, honours Clutesi’s many celebrated traits: ḥašaḥʔap (keep, protective) / ʔaapḥii (generous) / ʕac̓ik (talented) / ḥaaʔaksuqƛ (strong willed) / ʔiiḥmisʔap (treasure). A series of ancillary events will support the exhibition, including an opening celebration on Saturday, January 20, 2024, an artist panel discussion, workshops, a curatorial tour, and a book club event. For admission information and a full list of events and registration details, visit: billreidgallery.ca

Feature image: George Clutesi, Mask of Plenty, 1944 – Courtesy of the Royal BC Museum

Time

20 (Saturday) 11:00 am - 19 (Sunday) 5:00 pm PST

Location

Bill Reid Gallery

639 Hornby Street

Learn More

Calendar GoogleCal

13jun(jun 13)10:00 am30mar(mar 30)5:00 pmTo Be Seen, To Be Heard: First Nations in Public Spaces, 1900–1965(june 13) 10:00 am - (march 30) 5:00 pm PST 6393 N.W. Marine DriveEvent Type:Art EventAdmission Type:Free,Ticketed

18sep(sep 18)1:00 am26jan(jan 26)1:00 amFormline : Calligraphy, The Creative Synergy of Bill Reid and Bob Reid(september 18) 1:00 am - (january 26) 1:00 am PST 639 Hornby StreetEvent Type:Art Event

27sep(sep 27)10:00 am17feb(feb 17)5:00 pmShelley Niro: 500 Year Itch(september 27) 10:00 am - (february 17) 5:00 pm 750 Hornby StreetEvent Type:Art EventAdmission Type:Ticketed

Event Details

The Vancouver Art Gallery is pleased to announce the much-anticipated presentation of Shelley Niro: 500 Year Itch, a monumental retrospective that surveys the 40-year career of celebrated Bay of Quinte Mohawk artist Shelley Niro. Organized by the Art Gallery of Hamilton (AGH) with the Smithsonian’s National Museum of the American Indian and with curatorial support from the National Gallery of Canada, this extraordinary exhibition showcases the full breadth of Niro’s prolific career from her unique perspective as a Kanyen’kehá:ka (Mohawk) woman, bringing together works across painting, photography, sculpture, mixed media and film.

“We are honoured to be able to share this remarkable retrospective of Shelley Niro’s career with Vancouver,” says Anthony Kiendl, CEO & Executive Director of the Vancouver Art Gallery. “Niro has been fundamental in shaping the discourse around Indigenous representation, culture and ways of being.”

From the 1980s to the present, Niro has created art that reflects contemporary life and builds upon Kanyen’kehá:ka (Mohawk) philosophies, deep understandings of history and a woman-centred worldview. Accessible, humorous and peppered with references to popular culture, this sharp-witted survey delves into the timeless cultural knowledge and generational histories of the artist’s Six Nations Kanyen’kehá:ka community to make art that provides purpose, hope and healing.

“The Art Gallery of Hamilton is thrilled to be sharing this important project,” says Shelley Falconer, President and CEO of the Art Gallery of Hamilton. “We are confident that Shelley Niro’s incredibly poignant works will resonate deeply with Vancouver audiences. The artist’s talk will be an excellent chance to hear from the artist herself, along with the audio guide located throughout the exhibition.”

Spanning almost four decades and over seventy works—from painting to beading—the exhibition is organized into themes that Niro often returns to: Matriarchy, Past is Present, Actors and Family Relations. Each provides vantage points from which she probes ideas central to her experience and identity as a Kanyen’kehá:ka (Mohawk) woman. Niro’s persistent vision is to empower Indigenous women and girls, advocating for self-representation and sovereignty. Her highly empathetic approach moves viewers to understand the issues at hand through her visually impactful and politically powerful manner. She uses parody, feminism and spirituality to examine identity and, in turn, brings political power to the realm of the personal.

The exhibition title refers to the film The Seven Year Itch, released in 1955, the year after Niro was born. The film, starring Marilyn Monroe, portrays a marriage unravelling and refers to the concept of relationships waning after seven years. Niro explores this idea, suggesting that the relationship between colonizers and Indigenous peoples has always been uncomfortable, and there remains an itch. Niro created a self-portrait titled The Seven Year Itch in 1992, in which she imitates the famous scene of Marilyn Monroe standing over a subway grate with her dress blowing up.

“I remember seeing Shelley’s first solo show back in 1992 and slowly realizing, standing before Mohawks in Beehives, that I was witnessing a paradigm shift in contemporary Indigenous art,” says Richard Hill, Smith Jarislowsky Senior Curator of Canadian Art at the Vancouver Art Gallery. “It was fundamentally a change in how Indigenous identity was publicly presented. I had experienced a good deal of humour in Indigenous communities, but I hadn’t seen an artist treat identity as a space of riotous and inventive role-playing like Shelley did. It was liberating, opening a space for a rich, complex and often hilarious view of contemporary Indigenous experience. Any stereotype that got in her way was not so much overthrown as deftly pierced by laughter and left to deflate under the weight of its own absurdity.”

Shelley Niro: 500 Year Itch runs from September 27, 2024, until February 17, 2025. The exhibition is accompanied by a glittering publication designed by Barr Gilmore, available for purchase in the Gallery Store. This publication features contributions from esteemed authors and curators, including Lori Beavis, Sally Frater, Adrianna Greci Green, Bryce Kanbara, Madeline Lennon, Nancy Mithlo and Hulleah J. Tsinhnahjinnie.

The exhibition is organized and circulated by the Art Gallery of Hamilton with the Smithsonian’s National Museum of the American Indian and with curatorial support from the National Gallery of Canada. Curated by Melissa Bennett, AGH Senior Curator of Contemporary Art; Greg Hill, Independent Curator, formerly Audain Senior Curator, Indigenous Art, National Gallery of Canada; and David Penney, formerly Associate Director of Museum scholarship, Exhibitions, and Public Engagement at the Smithsonian National Museum of the American Indian. The Vancouver Art Gallery presentation is coordinated by Richard Hill, Smith Jarislowsky Senior Curator of Canadian Art.

Time

September 27 (Friday) 10:00 am - February 17 (Monday) 5:00 pm

Location

Vancouver Art Gallery

750 Hornby Street

Learn More

Calendar GoogleCal

Show More Events