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painting

Exhibitions Local Artists Take a Tour Vancouver Visual Art
Vancouver Mural Fest Continues to Canvas the Neighbourhood

by Alexis Baran July 29, 2022

July 29, 2022

Thirty new murals in eight different neighbourhoods, art tours and block parties across the city- Vancouver Mural Fest returns, brighter than ever! With a…

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Exhibitions Galleries & Museums Local Artists Vancouver Visual Art
Sarah Ronald Harmonizes Art With Animal Experience

by Alexis Baran July 13, 2022

July 13, 2022

By Natasha Ponda Taking in the natural wonders at The Beaty Biodiversity Museum, you can’t help but contemplate the thin line between science and,…

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Burnaby Guides Indigenous Art Local Artists Visual Art
Listening to Pictures: Artists on the SFU Art Collection

by Alexis Baran June 22, 2022

June 22, 2022

Writing about art from an outside perspective admittedly can feel limiting sometimes. More often than not, my inner monologue when profiling work is “Well,…

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Artist Interviews Local Artists Vancouver Visual Art
Video: Meet Tiko Kerr, Artist and Activist in Vancouver

by Alexis Baran June 15, 2022

June 15, 2022

Tiko Kerr is an artist and activist in Vancouver, BC. Here he shares his insights on the artistic journey and his work. Tiko Kerr…

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Artist Interviews Local Artists Visual Art Whistler
Video: Meet Andrea Mueller, a Painter in Whistler

by Alexis Baran June 10, 2022

June 10, 2022

Andrea Mueller marries her draw to the natural world with an emotional style of painting that stems from time as a young girl watching…

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Exhibitions Galleries & Museums Langley Local Artists Visual Art
“The Hour Between” Follows the Uncertainty of Darkness

by Alexis Baran May 28, 2022

May 28, 2022

By Tara LeeOne night, artist Katherine Pickering was walking around with a flashlight. She noticed how the flashlight provided an oval spotlight where she…

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Exhibitions Galleries & Museums International Local Artists Vancouver Visual Art
Xicanx: Bridging Art with Activism

by Alexis Baran May 28, 2022

May 28, 2022

By Miret RodriguezOn the rainy evening of Thursday, May 12th, amongst kisses on the cheek and other enthusiastic hellos, the opening celebration of the…

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Exhibitions Guides Local Artists Vancouver Visual Art
Capture Photography Festival Replaces Ads with Art

by PatioKim May 14, 2022

May 14, 2022

By Kristin Lim While Capture Photography Festival, which was my social calendar for the month of April, has officially ended, its public art installations…

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Exhibitions Galleries & Museums Local Artists Vancouver's North Shore Visual Art
“We Can Only Hint At This With Words” Examines Extraverbal Conversation

by PatioKim May 11, 2022

May 11, 2022

By Kristi Alexandra Great art often leaves you with more questions than answers, and the latest exhibition at the Gordon Smith Gallery of Canadian…

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Exhibitions Galleries & Museums Guides Local Artists Uncategorized Vancouver Visual Art
Exploring Identity at August Studios’ New Group Exhibition

by PatioKim May 9, 2022

May 9, 2022

By Kristin Lim Of Two Minds, a group exhibition featuring work by four Vancouver-based artists, Lydia Cecilia, Laura Clark, Katherine Duclos, and Emiko Venlet,…

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january, 2025

20jan(jan 20)11:00 am19(jan 19)5:00 pmBill Reid Gallery of Northwest Coast Art presents GEORGE CLUTESI: ḥašaḥʔap / ʔaapḥii / ʕc̓ik / ḥaaʔaksuqƛ / ʔiiḥmisʔap11:00 am - 5:00 pm (19) PST 639 Hornby StreetEvent Type:Art EventAdmission Type:Ticketed

Event Details

Bill Reid Gallery of Northwest Coast Art presents the Vancouver premiere of the retrospective exhibition GEORGE CLUTESI: ḥašaḥʔap / ʔaapḥii / ʕc̓ik / ḥaaʔaksuqƛ / ʔiiḥmisʔap from January 20, 2024 – January 19, 2025. The exhibition is an exploration of the life and legacy of Clutesi, whose actions have left an indelible mark on the preservation and celebration of the Nuu-chah-nulth community’s cultural traditions and customs. Featuring an extensive collection of Clutesi’s artworks, the exhibition further honours his legacy through striking displays of archival photographs and news clippings of his varied achievements, a documentary film about his long-lasting impact, and a curated selection of artworks from contemporary Nuu-chah-nulth artists and scholars, inspired by Clutesi’s activism and scholarship. The name of the exhibition, written in the Tseshaht language, honours Clutesi’s many celebrated traits: ḥašaḥʔap (keep, protective) / ʔaapḥii (generous) / ʕac̓ik (talented) / ḥaaʔaksuqƛ (strong willed) / ʔiiḥmisʔap (treasure). A series of ancillary events will support the exhibition, including an opening celebration on Saturday, January 20, 2024, an artist panel discussion, workshops, a curatorial tour, and a book club event. For admission information and a full list of events and registration details, visit: billreidgallery.ca

Feature image: George Clutesi, Mask of Plenty, 1944 – Courtesy of the Royal BC Museum

Time

20 (Saturday) 11:00 am - 19 (Sunday) 5:00 pm PST

Location

Bill Reid Gallery

639 Hornby Street

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13jun(jun 13)10:00 am30mar(mar 30)5:00 pmTo Be Seen, To Be Heard: First Nations in Public Spaces, 1900–1965(june 13) 10:00 am - (march 30) 5:00 pm PST 6393 N.W. Marine DriveEvent Type:Art EventAdmission Type:Free,Ticketed

18sep(sep 18)1:00 am26jan(jan 26)1:00 amFormline : Calligraphy, The Creative Synergy of Bill Reid and Bob Reid(september 18) 1:00 am - (january 26) 1:00 am PST 639 Hornby StreetEvent Type:Art Event

27sep(sep 27)10:00 am17feb(feb 17)5:00 pmShelley Niro: 500 Year Itch(september 27) 10:00 am - (february 17) 5:00 pm 750 Hornby StreetEvent Type:Art EventAdmission Type:Ticketed

Event Details

The Vancouver Art Gallery is pleased to announce the much-anticipated presentation of Shelley Niro: 500 Year Itch, a monumental retrospective that surveys the 40-year career of celebrated Bay of Quinte Mohawk artist Shelley Niro. Organized by the Art Gallery of Hamilton (AGH) with the Smithsonian’s National Museum of the American Indian and with curatorial support from the National Gallery of Canada, this extraordinary exhibition showcases the full breadth of Niro’s prolific career from her unique perspective as a Kanyen’kehá:ka (Mohawk) woman, bringing together works across painting, photography, sculpture, mixed media and film.

“We are honoured to be able to share this remarkable retrospective of Shelley Niro’s career with Vancouver,” says Anthony Kiendl, CEO & Executive Director of the Vancouver Art Gallery. “Niro has been fundamental in shaping the discourse around Indigenous representation, culture and ways of being.”

From the 1980s to the present, Niro has created art that reflects contemporary life and builds upon Kanyen’kehá:ka (Mohawk) philosophies, deep understandings of history and a woman-centred worldview. Accessible, humorous and peppered with references to popular culture, this sharp-witted survey delves into the timeless cultural knowledge and generational histories of the artist’s Six Nations Kanyen’kehá:ka community to make art that provides purpose, hope and healing.

“The Art Gallery of Hamilton is thrilled to be sharing this important project,” says Shelley Falconer, President and CEO of the Art Gallery of Hamilton. “We are confident that Shelley Niro’s incredibly poignant works will resonate deeply with Vancouver audiences. The artist’s talk will be an excellent chance to hear from the artist herself, along with the audio guide located throughout the exhibition.”

Spanning almost four decades and over seventy works—from painting to beading—the exhibition is organized into themes that Niro often returns to: Matriarchy, Past is Present, Actors and Family Relations. Each provides vantage points from which she probes ideas central to her experience and identity as a Kanyen’kehá:ka (Mohawk) woman. Niro’s persistent vision is to empower Indigenous women and girls, advocating for self-representation and sovereignty. Her highly empathetic approach moves viewers to understand the issues at hand through her visually impactful and politically powerful manner. She uses parody, feminism and spirituality to examine identity and, in turn, brings political power to the realm of the personal.

The exhibition title refers to the film The Seven Year Itch, released in 1955, the year after Niro was born. The film, starring Marilyn Monroe, portrays a marriage unravelling and refers to the concept of relationships waning after seven years. Niro explores this idea, suggesting that the relationship between colonizers and Indigenous peoples has always been uncomfortable, and there remains an itch. Niro created a self-portrait titled The Seven Year Itch in 1992, in which she imitates the famous scene of Marilyn Monroe standing over a subway grate with her dress blowing up.

“I remember seeing Shelley’s first solo show back in 1992 and slowly realizing, standing before Mohawks in Beehives, that I was witnessing a paradigm shift in contemporary Indigenous art,” says Richard Hill, Smith Jarislowsky Senior Curator of Canadian Art at the Vancouver Art Gallery. “It was fundamentally a change in how Indigenous identity was publicly presented. I had experienced a good deal of humour in Indigenous communities, but I hadn’t seen an artist treat identity as a space of riotous and inventive role-playing like Shelley did. It was liberating, opening a space for a rich, complex and often hilarious view of contemporary Indigenous experience. Any stereotype that got in her way was not so much overthrown as deftly pierced by laughter and left to deflate under the weight of its own absurdity.”

Shelley Niro: 500 Year Itch runs from September 27, 2024, until February 17, 2025. The exhibition is accompanied by a glittering publication designed by Barr Gilmore, available for purchase in the Gallery Store. This publication features contributions from esteemed authors and curators, including Lori Beavis, Sally Frater, Adrianna Greci Green, Bryce Kanbara, Madeline Lennon, Nancy Mithlo and Hulleah J. Tsinhnahjinnie.

The exhibition is organized and circulated by the Art Gallery of Hamilton with the Smithsonian’s National Museum of the American Indian and with curatorial support from the National Gallery of Canada. Curated by Melissa Bennett, AGH Senior Curator of Contemporary Art; Greg Hill, Independent Curator, formerly Audain Senior Curator, Indigenous Art, National Gallery of Canada; and David Penney, formerly Associate Director of Museum scholarship, Exhibitions, and Public Engagement at the Smithsonian National Museum of the American Indian. The Vancouver Art Gallery presentation is coordinated by Richard Hill, Smith Jarislowsky Senior Curator of Canadian Art.

Time

September 27 (Friday) 10:00 am - February 17 (Monday) 5:00 pm

Location

Vancouver Art Gallery

750 Hornby Street

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