Charles Campbell’s 45-minute audio recording of senior Black artists and local community members’ breath is the core ambient backdrop of the curated exhibit Black Breath Spectacle. The participants’ breaths vary from rapid to long, shallow to deep and sombre to sonorous inhalations and exhalations. This immersive sound installation is accompanied with a spectrogram that depicts audio waves of the breath recordings woven together in a digital image. The image encodes the sound and experience of the performance. The digital spectrum appears like an abstract triptych painting made up with bright hues of green, yellow, and blue.

Campbell invites audiences to experience the sound of breath and breathing and to reflect on this intimate performance that echoed the walls at the Vancouver Art Gallery in 2021. Twenty Black artists and curators roamed around the Gallery playing the recorded breath in the Gallery halls. Campbell formed this work as a response to Black Lives Matter by “putting the focus on breath rather than death.” Campbell invited each participant to imagine being present with a loved person from their past, be they childhood friends or passed relatives.

Breath is a personal and functional action, and in this exhibit, Campbell emphasizes the depth and meaning of breath, especially when, as a source of life it can become an object of oppression and power.

Campbell will be developing an archive of Black breath recordings in the form of audio and sculptural installations called the Black Breath Archive in the coming year. The solo exhibition will be displayed at the Gallery in the spring of 2023.