Nan Goldin: Stendhal Syndrome explores the intimate and emotional force of Goldin’s photography through the moving-image format. Goldin is renowned for her slideshows, which were originally composed of 35mm slides on carousels set to music but are now presented as single-channel videos. Her moving-image works invite viewers to experience Goldin’s images not just as visual narratives, but as visceral encounters.

Drawing on the metaphor of the Stendhal Syndrome—a psychosomatic condition of dizziness, confusion or even hallucinations triggered by exposure to intense beauty—Stendhal Syndrome (2024) juxtaposes Goldin’s photographs taken over the last twenty years of Classical, Renaissance and Baroque masterpieces with portraits of her friends, chosen family and lovers.

Nan Goldin: Stendhal Syndrome features a new acquisition to the Gallery’s permanent collection and represents the first major presentation of Goldin’s work in Vancouver.

We who have known tides begins from a poetic inquiry that seeks to understand what it means to exist at the edges of the Pacific Ocean. We who have known tides is an examination that unveils the ways in which the ocean and living in proximity to it has shaped the work of Indigenous artists, as well as their relation to territories across land and water, and their connections to communities that have witnessed the tides change for thousands of years. Drawn predominantly from the Vancouver Art Gallery’s permanent collection, this exhibition asks us to consider where we are on a deeper level, looking to the ocean as a way of understanding how this place is ever changing.

The Museum of Anthropology (MOA) at UBC presents the world premiere of Entangled Territories: Tibet Through Images, on display from November 20, 2025 to March 29, 2026. Curated by Dr. Fuyubi Nakamura, in collaboration with Tibetan-Canadian community members and artists, the bilingual exhibition explores Tibet’s rich cultural heritage alongside its current political context, through the lenses and voices of the Tibetan diasporic community. The exhibition features photography, letters, objects, and belongings from MOA’s archives alongside contemporary contributions from Tibetan-Canadian artists: Lodoe Laura will have several works on display, alongside the screenings of two short films from filmmaker Kunsang Kyirong, whose work was recently screened at the Toronto and Vancouver International Film Festivals. MOA will celebrate the opening of Entangled Territories on November 20, 6–9pm, with free museum admission for all. To learn more about the exhibition, as well as ancillary events, visit moa.ubc.ca