​​Lindsay McIntyre engages filmmaking as a material practice. For over two decades, she has experimented with manipulating the properties of celluloid, creating a diverse body of films grounded in labour, collaboration and process. Working between documentary, experimental film and expanded cinema performance, McIntyre’s oeuvre reflects on displacement from Inuit Nunangat, place- and land-based methodologies, Inuit community, and survivance, often in conversation with her family history.