Since 2016, New York-based artist collective CFGNY has investigated the transnational circulation of style, addressing a constellation of aesthetics across architecture, contemporary fashion, historical collecting practices, and cultures of cuteness. The group’s practice coalesces around exploring an ineffable but shared recognition of being perceived as other that it calls “vaguely Asian.” Approaching identity and subjectivity as relational endeavours, CFGNY conceives its art-making – integrally collaborative within and beyond the collective – as an act of sociality.