By Kristin Lim Of Two Minds, a group exhibition featuring work by four Vancouver-based artists, Lydia Cecilia, Laura Clark, Katherine Duclos, and Emiko Venlet, opened recently at August Studios in
Take a look at your fridge. Is it covered with stick figure drawings of your family? Now look at your walls. Find any crayon scribbles that you just can’t bear
Written by Natasha Ponda If you could know your own future, would you choose to seek it out? Would you have any questions? And what exactly would you want to
By Natasha Ponda Alex Morrison’s show, Nooks and Corners, currently at the Contemporary Art Gallery, is concerned with evolving aesthetic identities primarily found in the domestic sphere. The Vancouver-based artist
When you desire to improve the world, knowing where to start isn’t always a clear path. But on March 24th, those who strive for change will get a dedicated opportunity
By Tara Lee Family, whether the one born into or the one chosen, helps to cultivate belonging, location, and a sense of identity. However, maintaining these relationships can be fraught,
By Wade Kinley Starting out in the world of art collecting can be a daunting task. The practice is well-storied with astronomical prices, cutthroat competition and enough pretense to spin
By Mark Shelling You wouldn’t be alone if you found yourself trying to salvage some personal stability through the last few turbulent years. Despite brands and influencers constantly blasting motivational
As if the Vancouver Mural Fest hasn’t already done enough to brighten the walls of this city, they continue their journey of making the skyline a bit more interesting with
A yearly tradition of live performance and multimedia, this is the 18th season that the fest will be showing off local and international artists alike. This time, Push performances are
By Jaclyn Hayward Through the hustle, bustle and turbulence of our times, you can still find a sense of calm when you enter the Pendulum Gallery. Juxtaposed by the heart
By Jaclyn Hayward Absurdist loyalists will be drawn to the exhibit title of Nothing to be done while both recognizing it as the start of an infamous play but also
