By Tara Lee When you find yourself at the entrance of a converted heritage house, you might think you’ve come to the wrong place. However, a visit to the Van
The Steven Shearer solo show currently on at Polygon Gallery on Vancouver’s North Shore is like a quaint trip through your parent’s photo album- if your parents lived a blindingly
Written by Natasha Ponda. Passion, excitement, roaring fans, and unwavering loyalty – in summation, this is the agony and ecstasy of any sport. With this sentiment, Kellen Hatanaka’s current show,
By Jaclyn Hayward We local folks can close our eyes and imagine the palette of our neighbourhood landscapes: sky and ocean blues, earthy greens and browns, citrus coloured sunsets and
By Jaclyn Hayward Through the hustle, bustle and turbulence of our times, you can still find a sense of calm when you enter the Pendulum Gallery. Juxtaposed by the heart
By Jaclyn Hayward Absurdist loyalists will be drawn to the exhibit title of Nothing to be done while both recognizing it as the start of an infamous play but also
The Audain Art Museum’s current exhibition, Riopelle: The Call of Northern Landscapes and Indigenous Cultures, is an amalgamation of Québécois artist Jean Paul Riopelle’s (1923-2002) work inspired by exploring Canada’s
Written by Natasha Ponda Sankofa: a word of West African origin, conveys the value of connecting your heritage to the present in order to properly face your future. Inspiring the
Cover photo: If Not Now, Then When? By Lucie Chan Written by Natasha Ponda Curation and collection choice is a deliberate practice that gives form to ideas and invites new
By Wade Kinley Where do we stand? What do we stand for? And how much of any of it can we stand? These questions are at the heart of the
Cover photo: Tiffany Blaise at Studio One One Six. Shot by Wendy D By Jaclyn Hayward Art and design can call out to us; they can inspire and move us.
By Jordan Baraniecki The current Bobbie Burgers exhibition at The West Vancouver Art Museum features striking works created throughout the lockdowns of the last two years. Creating works both on